Name: Risa Age group: Late 30s (Millennial) Country: Northeast, USA Subscription/Access Policy: Semi-friends only. Mostly public. Will grant you access if you ask and seem like good company.
Main Fandoms: WWE, Final Fantasy IX, Persona 5 Other Fandoms:Here's a list. I've been in fan spaces so long, that list will never stop growing. Attempting to list all my favorite ships and characters would take forever. Fannish Interests: Writing fanfiction and participating in fic writing communities/events. OTPs and Ships: The Shield / Rolleigns is the center of my world.
Favourite Movies: Titanic, Pan's Labyrinth, The Secret of NIMH TV Shows: Survivor, House MD, South Park, Bob's Burgers Books: Brave New World (Aldous Huxley), Amusing Ourselves to Death (Neil Postman), The Hunger Games (Suzanne Collins) Music: Video game soundtracks. Nobuo Uematsu, Yasunori Mitsuda, and Shoji Meguro are three of my favorite composers. Games: Final Fantasy IX, Persona 5, Suikoden (the original), Pokemon Comics/Anime/Misc: Dragon Ball Z, Sailor Moon, Teenage Mutant Ninja Turtles, and many, many more.
Izzy Hands (right): a man who needs a multi-party introduction to hugging.
I talked about the Feral Five (Archie/Fang/Frenchie/Izzy/Jim) in the previous post about favourite poly ships, but for this manifesto I'd like to expand that further to All Deck on Hands—the inarguably perfect ship name for Izzy Hands and the entire crew of the Revenge.
(And how much do I love being in a fandom where a polycule straying into the double digits has a name and a fanbase?) Exact numbers on this polycule vary based on who's aboard the Revenge when the story's set, but for me, I'm most often adding Lucius Spriggs, Black Pete, Roach, Wee John Feeney, and Oluwande Boodhari to the previous fivesome in a post-canon setting.
A couple more answers to Goes Wrong Show questions I've received on Tumblr!
Anonymous:In the CCGW intermission, we get a glimpse of Robert’s CV—apparently, in Romeo and Juliet he played both Romeo and Juliet at the same time, while Chris was listed as the director (later usurped). Do you have any thoughts or ideas about the story behind that?
Robert playing both Romeo and Juliet in the same production is one of my favourite details from Robert's CV; it's such a Robert thing to do. I love him. He should play every part in every play.
I'm actually working on a fic about the dual-Roberts Romeo and Juliet right now [I received this question while I was writing Adaptability], but the concept there is 'there are literally two Roberts', which seems unlikely to be the canonical way it played out! It might instead have been something like this:
- Chris casts himself as Romeo. - Robert uses every tool at his disposal - complaining, attempting to ensure none of the society's actresses will be available on the night, arguing that casting two men as the lovers will show the progressiveness of the drama society - to get himself cast as Juliet. - Perfect; Robert is now Juliet! He's in a lead role! He's satisfied. - ... - Is he satisfied? - Now that he sits down and counts, Romeo does have slightly more lines than Juliet. There's a difference of seventy-five lines! That's almost fourteen percent of Juliet's lines! Surely Robert should be playing Romeo? - Robert attempts to persuade Chris to switch roles. Chris, incredulous, refuses. - Robert continues to complain. Chris threatens to take Juliet away from him. - Fine. Robert will have to take matters into his own hands. If he drugs Chris before the performance, just a little innocuous drugging, he can step into the role of Romeo, where he belongs. - One small downside: nobody else has rehearsed the role of Juliet, so Robert is going to have to play her as well. - Actually, that's not a downside at all. This is going to be the greatest performance of Romeo and Juliet ever seen.
There is one detail from Robert's CV that this concept doesn't account for: he lists the venue for his Romeo and Juliet production as 'France?', question mark and all. How does Robert end up putting on this play while uncertain of what country he's in? Unless he accidentally drugs himself slightly in the process of knocking Chris out, and then Chris regains consciousness before the play and, furious, chases Robert onto the Eurostar.
Anonymous:do you think robert would enjoy being a vampire?
Robert Grove would have a great time hamming it up as a vampire. He’d wear a cape. He’d hiss. He’d insist on the Cornley Drama Society putting on more vampire-centric plays, largely because he’s now the obvious choice to play vampiric characters.
There is not a chance Robert is nobly going to abstain from drinking human blood. He would attack strangers if he had to, but he’s a coward who wants to avoid serious physical conflict, so he’d try to persuade people to let him drink their blood voluntarily.
This works out fine at first; Sandra is happy to be a sexy vampiric victim! But then Sandra decides she’d prefer to be a sexy vampire, and Robert immediately agrees to turn her. After all, if they’re going to be putting on more vampire plays, it’ll be good to have someone who can play female vampires as well.
So now there are two vampires in the Cornley Drama Society, and Robert’s main source of blood is no longer an option.
Max and Annie agree to let Sandra feed from them: Max a little nervously, and Annie with surprising enthusiasm. Vanessa, very nervously, lets Robert feed from her; she’d really prefer not to have her blood drunk, but she’s worried about Robert not having enough sustenance and she doesn’t entirely know how to say no. Chris, having repeatedly insisted there’s not a chance that Robert will get any of his blood, eventually gives in because he’s worried about Vanessa and wants to ease the burden on her. (This leads to a very confusing sexual awakening for Chris, naturally.)
Also, hey, while I'm posting things from Tumblr, here's a video I took of the hopeful little meerkat I mentioned in this post! If you turn the sound on, you can hear the meerkat's tiny curious chirps and my charmed laughter.
There were a lot of Leonard Cohen songs in the running, but his 1988 I'm Your Man album fit tidily into the lineup, and this is one of the tracks on it that I'm always in the mood to listen to. (That said, I might also be sneaking in a cover of a Cohen song later on in the series.)
One day everyone in the world woke up with these words in front of their eyes, somehow inscribed in their inner eye: YOU ARE LIVING IN A SIMULATION. Simultaneously, a number of impossible things appeared on Earth, apparently to prove it: a frozen tornado, windows between continents, etc.
It's now seven years later. Those words still appear before everyone's eyes periodically. And tours have sprung up to take people to see the Impossibles, or at least as many as can be seen on a seven-day bus trip.
This extremely high-concept premise resembles that of The Measure in some ways: a world-spanning event, clearly real and equally clearly done by a more-than-human power, with immense existential implications, and with no one having any idea why it happened or why it happened now. But this is Daryl Gregory and he's very good with bizarre high-concept premises, and this book is excellent.
The other genre of When We Were Real is "set of random people thrown together" story. A number of the characters are, at least on the surface, straight out of a 1930s train story or a 1970s airplane story: two nuns, a rabbi, a pregnant woman, an elderly woman in a wheelchair and her devoted daughter, a set of elderly tourists, a person who's secretly dying, a person with a secret identity, a fugitive from the law. The only stock character it's missing is the cute child.
The many characters are very human and likable, with even the most frustrating of them having reasons for being the way they are; the annoying pregnant influencer's reason for being an annoying influencer turns out to be both sympathetic and heartbreaking. (Yes, it's partly to provide for her upcoming baby, but the real question is "Why an influencer rather than some other job?")
The Impossibles themselves are excellent. My favorite was the time tunnel, where you can stay an infinite amount of subjective time (you get a home pulled out of your own history or desires, plus fresh-baked bread every morning) and emerge several hundred miles away, only a second having passed outside. But the flock of non-real sheep was pretty great too.
There's serious themes - existentialism, mortality, meaning, God, ethics, love - but delivered with a light touch. It's more plotty than I expected, given the quest/picaresque structure, and the story is very satisfying. You don't get answers to all the questions, but you do get a general outline as to what's going on and why. It's a very human and humane novel, of the moment but in a good way.
Content notes: Cancer. Plans for suicide due to terminal illness. Pregnancy and birthing issues. Violence.
Happy Star Wars Day! I had high hopes this year of finally getting around to playing Knights of the Old Republic (2003) which is considered one of the best Star Wars games ever made. But sometime in mid-April I had to concede that I did not have time to do that, so instead I decided to replay Rebel Assault, a rail shooter from 1993 that I played a lot as a kid. It is, uh... not considered one of the best Star Wars games ever made. You might be in the wrong galaxy, then In Star Wars: Rebel Assault, you play as a humble moisture farmer from Tattooine who becomes a pilot fighting for the Rebellion and eventually blows up the Death Star. But you're not Luke Skywalker because of... reasons. I guess it's like a self-insert AU where YOU get to vanquish the Empire instead of Luke? But there's no character customization except that you can choose whether your character, "Rookie One", is male or female. I always picked female because even at age eleven I found the male voice acting unbearably hammy.
A great deal of what I have just said is based on my childhood memories of the game and not on my recent attempt to revisit it, which was largely stymied by not really being able to get it to work. I mean, it runs! But on modern hardware the controls are somehow both barely responsive and wildly oversensitive—you try to steer and it's like nothing, nothing, nothing, BAM into the wall—and none of my troubleshooting efforts made much of a difference. I see from reviews I am not the only one who has this problem. The game probably needs a patch, and quite possibly nobody who has the skills cares enough to put in the effort. Oh well.
I got the game in a bundle with the sequel, 1995's verbosely named Star Wars: Rebel Assault II - The Hidden Empire, so I figured I might as well try that one even though I never played it at the time. Surprise—this one actually works well enough to play it!! Gameplay achieved! ( More on Star Wars: Rebel Assault II - The Hidden Empire )
Both Rebel Assault games are available in a bundle on Steam and on GOG, currently on sale for $2.49 USD. And even at that price, be aware that unless you are some kind of retro software wizard, you're really only buying the sequel, because the first game is not in a playable state.
I was distracted last week because of exciting RL things and completely forgot about April recs. The first missed monthly rec post in over two years >.<
So, a quick one. I gave a short powerpoint presentation on my SGA fandom nostalgia in a Discord server recently (I joined SGA fandom almost twenty years ago, wow) and that reminded me of some SGA crack classics.
The Epic Tale of Rodney & John, Two Girl Scout Cookies In Love (The Pix or it Didn't Happen Remix) by Krim 0.4k + comic, John/Rodney, explicit cookie porn Summary: Cookie porn, crumbs, strong language, extreme crackiness. Very image-heavy. No spoilers. Why I love it: This is exactly what it sounds like and it's glorious. A classic. Tragically I couldn't find a working link to the podfic/-video version by busaikko anymore, please let me know if you have one.
Stargate: Atlantis - The Post-Trinity phenomenon by iibnf List of post-Trinity fics Summary: [These are all McKay/Sheppard unless otherwise noted. This is not a list of recommendations, you can take it as a thematic list, instead. What I'm looking for is the classic Post-Trinity Mean John/Woobie Rodney concept, not other stories that may be set after Trinity but don’t deal with that particular issue.] Why I love it: The Lemon Chicken Ratings list. A masterpiece. Sadly a quick check showed that many links are no longer working, unsurprisingly, but even the list on its own is very much worth reading.
The Eternally Unnamed by lavvyan John/Rodney, crack Summary: Ketchup!John/Pea!Rodney: "Ketchup and peas don't go together." Why I love it: Lavvyan has written a ton of beautiful crack but this might be my personal favorite.
I have a word document with links to SGA fanworks that's 14 pages long. I'm sure many links sadly don't work anymore but now I'm tempted to go through them again, reread a few more stories, maybe rec some... Always too much to read and not enough time.
1. Apparently if you point a camera at me while I'm doing aikido my posture and form immediately improves, as my friend E discovered on Wednesday while we were practicing jujinage and she handed her phone to a dojomate who was sitting out that set.
This does not surprise me, because I'm generally quite camera-aware and will push for more clarity and precision of demonstration when it matters to show-case it and I'm not going "this is near the end of class and I'm tired".
Also we got some really nice photos out of it, including a couple where E's completely in the air such that there's the illusion that she's being held upright by her ponytail alone.
(she was taking breakfalls, thus the hovering in mid-air. I was not, but only because I didn't want to; it looked from the outside like I was because I was being thrown in a way that definitely encouraged it.)
2. "Aikido can be very technical," sensei said near the start of the seminar today, and what she meant by that was rather "it's very easy to get caught up in Step 1, Step 2, Step 3 and forget that aikido is at its simplest and most fluid if you make a connection and simply move."
We spent a lot of time focusing on extension: keeping one's arm reaching out kokyu (that word/term which means breath, but which is also a description of keeping one's arm/body engaged without being stiff, of being strong and unbendable not by muscle tension but by structure and directional intent). Which is important, because it does make technique easier to apply, but sensei also pointed out that for all that she was asking us to think about our arms and our posture, the actual application only worked if our feet were in the right place at the right time.
I think the technique that most visibly established this was the one where she was like "okay, I'm showing you two variations" and then proceeded to be like "So yes, you can do this technique in a very straight-forward [literally] way. We're going to practice the variation that forces you to do interesting footwork as a way of ensuring you're thinking about that too." (I loved this technique. It looks funky—anything where you go back-to-back with your partner does!—but the flow was really lovely once I got a chance to try it. Really did rely on the footwork being accurate, though!)
The whole seminar was really nice for just... being in the mix of a lot of yudansha [black belts] who I know from the seminar circuit and thus getting to be like "yup, definitely know plenty of stuff and have even more to learn".
Also fun: sensei deciding that we all needed to do some rolling practice and making everyone go back and forth across the mat for a while.
The seminar just... generally focused on elements of aikido that I've been thinking about lately anyway, which was really nice. A lot about connection and smoothness and seeing how little muscle you need to use. The flow of the technique. Blending with your partner in the opening. Things like that.
And then, y'know, two dan tests from people who I know. Nidan and sandan. It's... mm. I'm taking nidan at the end of this month. I watched these tests (both by older white men who started as adults) and spent the whole time thinking oh, I could do that at least as well, probably better, which...
idk. I've probably been capable of testing a rank ahead of where I place since I took first kyu, and I'm pretty sure I took shodan later than I otherwise would've because of covid, so...
It's not surprising. It's just a fact.
I've done much less specific preparation for nidan than perhaps I could, but also, like, I do know everything on the test. The bits that I'm like "but I could know this better" aren't about what's necessary; they're about what I know I'm capable of, since I was basically taught the nidan test when I took shodan. But since whatever I do for the test will certainly be more than enough—people just don't test unless their sensei think they're ready—there's no need to stress about it.
3. The thing about test prep class when everyone who's testing is at the skill level required is that it mostly turns into a confidence-building exercise, which comes across in some really different ways depending on who's there and who's testing soon.
It's... sometimes a frustrating thing to facilitate. (A thing I do whenever the friend who really wants to run it is having fatigue problems or is out of town for family reasons.) Mostly because I don't have anxiety about tests/performances/being watched doing stuff like this? And so I'm like "yeah this is going to be fun" as soon as I'm certain I know all the stuff required. Which is not usually a helpful attitude for people who do have more anxiety.
But hey, at the end of the day it's all just about encouraging people and reminding them of how much they already know, and I do like that part.
I played a lot more Hades II and had a lot of fun. And I even finally got a Melinoe icon, look. (Still too lazy to type the dots on her name every time.) I finally got all achievements and fulfilled all prophecies, which is a good moment to finally post my run notes.
This picks up when Danny's been Dreadnought for a while, and is getting a bit too into the violent aspects of the job. This aspect is quite well done - you understand what's going on with her, but it actually is a bit unsettling. Also, Valkyrja reappears, sort of; an evil techbro wreaks havoc; a TERF is threatening the world; and Danny works on her relationships.
I liked this more than the first book. Danny developed as a character and spent a lot less time being abused by transphobes. I'll grab the third book when it comes out.
The sequel isn't as good as the first book, unfortunately. I'd have been happy with more of Zax, Minna, and Vicky exploring the multiverse, but this book is much more plot-driven and Minna and Vicky only show up three-quarters of the way through. Half or more of the book is narrated by a new character whose identity I'll leave out as it's spoilery for the first book. She was fine as a character but her storyline was less interesting. Zax gets a new companion, and I did quite enjoy his adventures with her. I also enjoyed Minna and Vicky when they finally appeared.
But the plot-driven parts were less interesting, and the structure was really odd and not in a way that benefited the book. Instead of picking up where the first book left off, we get a retrospective summary of what happened some time after that point, then we get the entire backstory of the non-Zax narrator bringing her up to the point where she meets Zax in the first book, then it jumps forward and we get what's happening to her now, then we catch up with what Zax is doing now, and then, about three quarters of the way in, we finally get the story of what happened immediately after the first book left off. I think it would have worked better to tell the story more linearly. And also, to have much more Minna.
It's not a bad book and it does have some really good parts, but there are some baffling choices made.
Reading: For non-fiction, I'm still steadily picking away at Braiding Sweetgrass; I think I've crossed the halfway point!
I finished Gareth Hanrahan's The Gutter Prayer, which has fascinating worldbuilding, and I enjoyed the characters. Neither library to which I have access has the sequel (I think it's a trilogy?) in ebook, so we'll see if/when I cave and buy it. For a second book, there's probably not much future in just leaving it on my wishlist indefinitely and hoping for it to go on sale, although one never knows.
Then I read T. Kingfisher's Wolf Worm via the library (I'm trying this novel approach of using the library more again if they have a book and the ebook cost is too upsetting), which was distressing in very T. Kingfisher ways (another case of interesting worldbuilding + EW EW EW), followed by Common Goal, the fourth Game Changers book. (I did give in and just buy the ebook set of books 4-6.)
In other book not-really-news, I decided to just go ahead and get the new Murderbot in hard copy, given the price of the ebook (esp. since I think it's a novella this time? And hopefully it being just novella-length will increase my odds of still getting it read fairly promptly despite being a hard copy). Watching: Last night scruloose and I made it to ep. 8 of Justice in the Dark, AKA the last ep. that was released in China and the last one I'd seen previously. Onward!
(I'm mostly coping with the name changes, but apparently I do better at keeping the different names straight in my head when it's different consonants than vowels. I mentally autocorrect the show's "Pei Su" to "Fei Du" and carry on, but when I don't actually have one version in front of me, I keep stumbling a bit over Luo Wenzhou [novel]/Luo Weizhao [drama].) Listening: This week I listened to not one but two (new!) albums for the first time--Tori Amos' Time of Dragons, as mentioned yesterday, and Metric's Romanticize The Dive. I haven't done a proper lyrics-focused listen to the latter, but I imagine I will at some point. My initial feeling is basically "Yep, that's a Metric album, and I like Metric, so that works." (Fantasies is the only one I'm hugely attached to individually [and I'm not terribly familiar with their catalogue before that], but that's mainly because I used it pretty heavily when writing Newsflesh fic.)
I don't have a fic on the go at the moment, but I'm in the mood to do something creative, so I thought I'd dig up one of my favourite memes!
Ask any fictional character you think I might be able to manage a question, and I'll reply in-character as them with an answer (or possibly reply as myself going 'WHAT THE HELL, I CAN'T DO THIS'). Feel free to ask either as yourself or as another character.
If you're not sure what fandoms I'm in, the fandom list on my AO3 might help.
You may, if you wish, ask multiple questions (and/or multiple characters) or attempt to engage the characters in extended conversation. Ask away!
Title: Here We Are Fandom: Chance (2015) Relationships: Amir Abbas/Trevor Bunting Rating: General Word Count: ~850 Content Info: n/a Summary: An early morning during the first Ramadan of Trevor and Amir's marriage. Notes: Written for the 2026 round of bethefirst. This story is also available on AO3.
The short film this fic is based on was made available for free online by its director, and I really recommend it if you're in the mood for a very sweet later in life romance between a socially isolated widower and a refugee fleeing state violence with his own loss who meet in a London park one day and offer each other a new lease on life.
I wasn't planning anything for 3weeks4dreamwidth, but then I realized today is my account creation anniversary! I've been on Dreamwidth for 17 years, since the second day of open beta.
Occasionally I am in the position of explaining to people what Dreamwidth is, and I usually say it's an indie social media site with no ads or algorithm. I feel like sometimes people don't know what I mean by that, or have a hard time wrapping their minds around how it can possibly exist. Like what do you mean, it doesn't exploit you for profit? It lets you look at things you have chosen to look at without cramming trending topics and promoted content down your throat?? You visit it every day because you enjoy it, not because it is designed to manipulate you into feeling addicted to it??? Increasingly over the past 17 years I have felt like a lot of people experience a very different internet than I do, and if I had to experience that internet I probably wouldn't go online much.
Thank you all for being here and creating a space where the internet is still thoughtful and human and fun.